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批評・翻訳 ~ Criticism // Translation
Jeremy Woolsey
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Jan 18, 2019
An Artist Duo’s Ingenious Movie About US Military Bases in Japan (Published on Hyperallergic)
Jan 18, 2019
Jan 18, 2019
Oct 23, 2018
The Internet Landscapes of Kazuki Umezawa (Published on Hyperallergic)
Oct 23, 2018
Oct 23, 2018
Oct 13, 2018
資料館でアートを発表したらどうなる?「パープルーム大学附属ミュージアムのヘルスケア」展のレビュー
Oct 13, 2018
Oct 13, 2018
Sep 26, 2018
風間天心のアートと、僕がシミュレーションとしてビート・ジェネレーションを生きようとした事の関係性をめぐって
Sep 26, 2018
Sep 26, 2018
Sep 1, 2018
If It Wasn’t Made as Art, Can a Curator Make It Art? (Published on Hyperallergic)
Sep 1, 2018
Sep 1, 2018
Jul 28, 2018
Artists Stage a Contemporary Art “Black Market” in Tokyo (Published on Hyperallergic)
Jul 28, 2018
Jul 28, 2018
Mar 5, 2018
フェノロサへの手紙
Mar 5, 2018
Mar 5, 2018
Feb 14, 2018
Ghosts of the Avant-Garde (Published on Tokyo Art Beat)
Feb 14, 2018
Feb 14, 2018
Feb 4, 2018
出家か美術か ー川島秀明とのインタビュー (彼岸寺により)
Feb 4, 2018
Feb 4, 2018
Jan 10, 2018
Getting Scrambled at Spiral: A review of Lu Yang’s “Electromagnetic Brainology” (Published on Tokyo Art Beat)
Jan 10, 2018
Jan 10, 2018
Artwork courtesy of Tsubasa Kato